farhanajaafar
farhanajaafar
@gmail.com
.tumblr.com
+65 92204791
visual_experimentalist
concept
design
motion
photography
farhanajaafar


“30 x 30 Visual Branding In Trash”, 2013
Video Installation Look
Social evolution refers to the shifting perceptions and behaviours within culture and society. This change is driven mainly by the economy and technology. The effects of social evolution in the 21st century are apparent through the design application of our everyday goods. The dependence on visual aesthetic is inevitable and necessary for products being produced in the market today. With the advancement of technology and a fast-p aced lifestyle, products are shaped to influence and mimic the general consumer’s needs, especially in terms of convenience and cost-effectiveness of material expenses for production. These factors encourage an increase in consumerism, which inadvertently would result in more trash. Does this increase in consumption reflect a better design appreciation and understanding of the product being consumed? This social experiment aims to examine and reflect the degrees and limits of design appreciation in the disposed everyday goods that Singaporeans consume.
ZoomInfo
“Love Grows In The Dark”, 2012
A Font, Typographic Project Book
“Love Grows In The Dark”, 2012
A Font, Typographic Project Book
“Love Grows In The Dark”, 2012
A Font, Typographic Project Book
“Love Grows In The Dark”, 2012
A Font, Typographic Project Book
“Love Grows In The Dark”, 2012
A Font, Typographic Project Book
“Love Grows In The Dark”, 2012
A Font, Typographic Project Book
“Magazine Layout on Victor & Rolf”, 2012
Publication
ZoomInfo
“30x30 Disposable Design in Trash (WIP)”, 2013Publication design process
An experimental/observational/installation study on visual branding of everyday
“30x30 Disposable Design in Trash (WIP)”, 2013Publication design process
An experimental/observational/installation study on visual branding of everyday
“30x30 Disposable Design in Trash (WIP)”, 2013Publication design process
An experimental/observational/installation study on visual branding of everyday
“30x30 Disposable Design in Trash (WIP)”, 2013Publication design process
An experimental/observational/installation study on visual branding of everyday
“30x30 Disposable Design in Trash (WIP)”, 2013Publication design process
An experimental/observational/installation study on visual branding of everyday

“ADM Magazine 4 - The Sick”, 2012 (Abstract)
Publication for School of Arts, Design and Media (ADM) Magazine 4. 
In conjunction with the 4th edition, the issue is named 4(for) The Sick. The Sick explores on the notion and multiple facets of fetishes, of how one defines it within self and by surrounding society.
ZoomInfo
“ADM Magazine 4 - The Sick”, 2012
Publication for School of Arts, Design and Media (ADM) Magazine 4. 
In conjunction with the 4th edition, the issue is named 4(for) The Sick. The Sick explores on the notion and multiple facets of fetishes, of how one defines it within self and by surrounding society.
“ADM Magazine 4 - The Sick”, 2012
Publication for School of Arts, Design and Media (ADM) Magazine 4. 
In conjunction with the 4th edition, the issue is named 4(for) The Sick. The Sick explores on the notion and multiple facets of fetishes, of how one defines it within self and by surrounding society.
“ADM Magazine 4 - The Sick”, 2012
Publication for School of Arts, Design and Media (ADM) Magazine 4. 
In conjunction with the 4th edition, the issue is named 4(for) The Sick. The Sick explores on the notion and multiple facets of fetishes, of how one defines it within self and by surrounding society.
“ADM Magazine 4 - The Sick”, 2012
Publication for School of Arts, Design and Media (ADM) Magazine 4. 
In conjunction with the 4th edition, the issue is named 4(for) The Sick. The Sick explores on the notion and multiple facets of fetishes, of how one defines it within self and by surrounding society.
“ADM Magazine 4 - The Sick”, 2012
Publication for School of Arts, Design and Media (ADM) Magazine 4. 
In conjunction with the 4th edition, the issue is named 4(for) The Sick. The Sick explores on the notion and multiple facets of fetishes, of how one defines it within self and by surrounding society.
“ADM Magazine 4 - The Sick”, 2012
Publication for School of Arts, Design and Media (ADM) Magazine 4. 
In conjunction with the 4th edition, the issue is named 4(for) The Sick. The Sick explores on the notion and multiple facets of fetishes, of how one defines it within self and by surrounding society.
“ADM Magazine 4 - The Sick”, 2012
Publication for School of Arts, Design and Media (ADM) Magazine 4. 
In conjunction with the 4th edition, the issue is named 4(for) The Sick. The Sick explores on the notion and multiple facets of fetishes, of how one defines it within self and by surrounding society.
“ADM Magazine 4 - The Sick”, 2012
Publication for School of Arts, Design and Media (ADM) Magazine 4. 
In conjunction with the 4th edition, the issue is named 4(for) The Sick. The Sick explores on the notion and multiple facets of fetishes, of how one defines it within self and by surrounding society.
ZoomInfo

“Haiku”An exploration of typography through a japanese poem, haiku. The world is so large.We reached our arms toward the sunThe fire touched us both

“Haiku”An exploration of typography through a japanese poem, haiku. The world is so large.We reached our arms toward the sunThe fire touched us both

“Haiku”An exploration of typography through a japanese poem, haiku. The world is so large.We reached our arms toward the sunThe fire touched us both

“Haiku”An exploration of typography through a japanese poem, haiku. The world is so large.We reached our arms toward the sunThe fire touched us both

“Haiku”An exploration of typography through a japanese poem, haiku. The world is so large.We reached our arms toward the sunThe fire touched us both

“Haiku”An exploration of typography through a japanese poem, haiku. The world is so large.We reached our arms toward the sunThe fire touched us both

“Haiku”An exploration of typography through a japanese poem, haiku. The world is so large.We reached our arms toward the sunThe fire touched us both

“Haiku”An exploration of typography through a japanese poem, haiku. The world is so large.We reached our arms toward the sunThe fire touched us both

“Haiku”An exploration of typography through a japanese poem, haiku. The world is so large.We reached our arms toward the sunThe fire touched us both

“Haiku”An exploration of typography through a japanese poem, haiku. The world is so large.We reached our arms toward the sunThe fire touched us both